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I was interested in how automatic gain control could be used for sonic effect, so I fed the beats and the background tone through some quite aggressive compression and loudness maximising. The lag that the compressor caused in the tone vs the beat gave the drone a kind of tremolo effect that wasn't there orginally.

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from Early Works [1995​-​2000], released January 12, 2000

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Chris Dooks Edinburgh, UK

Prolific sound artist and post-doctoral researcher in Edinburgh.

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